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LED for Art Installations
& Galleries in LA.

A gallery wall asks LED to behave like a print: still, true, lit. Pixals calibrates the way a print room calibrates — slowly, with the artist or curator in the room.

— The brief

Closer to fine-art handling than event production.

We supply LED for gallery openings in the Arts District, museum donor events, foundation programs, fair-week activations, and artist commissions where the screen is the work. The brief is closer to fine-art handling than to event production: temperature-controlled transport, low-noise install, no exposed cabling, and a finish that disappears into the room.

The calibration session is the install. We arrive with a hardware spectrophotometer and the artist's reference print — archival pigment, photographic dye-sub, oil, or commissioned still — and we don't sign off until the wall sits inside Delta-E 2 of the source. Curators usually want to be in the room. Artists almost always want to be in the room. We plan the calibration session as a meeting, not as a setup task.

— Our gallery stack

P1.5 fine pitch. Silent install.

Fine-pitch P1.5 walls for close-viewing distance. Custom-built floor and ceiling LED for immersive installation. Silent install with bonded rigging. Colour-calibration with the artist or commissioning curator. Generative content collaboration for commissioned work.
— A note on calibration

Not 6500K out of the case.

Most LED rental ships at 6500K and never gets touched. We calibrate to the gallery's existing lighting temperature and to the work's reference print. The wall reads as part of the show, not as a screen inside it.
— Who hires us

Galleries. Museums. Foundations. Artists.

Arts District galleries running opening nights. Museum donor-event teams. Foundation programs with archival material to surface. Fair-week booths needing a curated install. Artists with commissioned screen work where the wall is the piece.
— Composite case studies (illustrative)

What the work looks like.

Case 01

The Arts District Gallery Opening.

A single P1.5 wall installed flush to the gallery's main face, calibrated to the artist's archival pigment print.
Composite case study
Case 02

The Fair-Week Booth Commission.

A six-panel curved LED installation for a fair-week presentation, calibrated to a film-grain reference.
Composite case study
Case 03

The Museum Donor Programme.

A discreet LED moment in a donor-event vestibule, programmed with archival material from the museum's collection.
Composite case study

An opening. A fair-week booth. A donor moment.

Send the venue and the reference. We'll come back with a calibration plan.